Ilive Editor Software
Allen & Heath have released version 1.3 of their software for the iLive digital console range, adding a host of new features for monitor engineering as well as providing a platform for the iLive Editor control software. New features in v1.3 include engineers' fader strips for wedge and in-ears, which allow separate fader control and dedicated outputs to the operator's listen wedge and personal IEM systems. Optional processing and aux monitor mixes can be assigned to wedge or IEM strips, automatically appearing in the desired monitor when auditioned. Another key feature is the addition of a real-time analyser (RTA) to enable the engineer to quickly identify feedback, tune room acoustics and tailor the on-stage monitor wedges.
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Ilive Editor V1.92 For Mac
Accessed via the PAFL (pre-/after-fader listen) system, the frequency content of any input or mix, and the spectrum of the main mix, can be viewed on screen and on meters in the Graphic EQ flip-to-fader view. Software version 1.3 has new Allen & Heath-designed effect types: Symphonic Chorus, the popular '80s chorus with vocal and string presets, and Hypabass, a sub-harmonic synthesis unit that generates infra- and sub-bass content from a bass-light programme. The software also allows Allen & Heath's range of PL remote controllers to be used with the iLive system. Connected to the Surface and Mix Rack via CAT5 cable and configured from the TouchScreen, the 'plug and play' devices control mixes, mutes, levels, scene recalls and selections. Allen & Heath +44 (0)1326 370192. All contents copyright © SOS Publications Group and/or its licensors, 1985-2018.
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